James Tait Black Prize for Drama
The University of Edinburgh in association with Playwrights' Studio, Scotland and the Traverse Theatre are proud to present the James Tait Black Prize for Drama.
The deadline has now passed
Submissions are now open for the James Tait Black Prize for Drama. The £10,000 award is given to a new play - produced from 1 January - 31 December 2019 - thatdisplays an original voice in theatre and has made a significant and unique contribution to the art form.
The annual drama prize is open to any new work in English, Scots or Gaelic by playwrights from any country and at any stage in their career. The award is organised by the University of Edinburgh in association with Playwrights' Studio, Scotland and the Traverse Theatre.
The winner will be announced at an award ceremony held at The Traverse Theatre during the August festivals in Edinburgh, where extracts of the shortlisted plays will be performed.
The James Tait Black Prize for Drama was launched in 2012, when the UK's oldest book awards were extended to include a new category for drama. Last year, Clare Barron's raucous play charting the agonies and ecstasies of a young American dance group Dance Nation was the seventh play to win the £10,000 prize.
Clare Barron's raucous play charting the agonies and ecstasies of a young American dance group Dance Nation was the seventh play to win the £10,000 prize
Eligibility Criteria
Submissions must be made from agents or the original producing company, and the nominator must have permission from the playwright before making a submission.
If the play is shortlisted, the playwright must agree to co-operate with the organisers in the award ceremony and consent to give rights to Playwrights' Studio, Scotland for a rehearsed reading of their work.
Eligible plays are 60 minutes or longer in playing time, originally written in English (including all standard and non-standard varieties) Scots or Gaelic, first produced between 1 January and 31 December 2019, and performed by a professional company for more than six performances.
The playwright must have been commissioned formally by a professional organisation using a contract recognised by an industry regulator within the country of production (e.g. in the UK, The Writers Guild of Great Britain, Scottish Society of Playwrights and Federation of Scottish Theatre, UK Theatre, Equity or ITC).
The production must have had a full production by a professional company using professionally contracted personnel.
Submitted plays are long-listed by post-graduate students from the University of Edinburgh. A panel of academics and industry experts then decide on the shortlist, and go on to select the winning play.
Deadline for submissions has passed
Previous Winners
2020
J'Ouvert by Yasmin Joseph (winner)
Yasmin Joseph's debut play, J'Ouvert is based on the streets of Notting Hill among the history and vibrancy of its famous Carnival.
The play is a reflection of the Black British experience told through the story of two best friends, battling to preserve tradition in a society where women's bodies are frequently under threat.
[BLANK] by Alice Birch
A mosaic of 60 unrelated scenes telling the stories of adults and children caught up in the criminal justice system.
seven methods of killing kylie jenner by Jasmine Lee-Jones
seven methods of killing kylie jenner explores cultural appropriation, queerness, friendship and the ownership of Black bodies both online and in real life.
2019
Dance Nation by Clare Barron (winner)
Dance Nation is an exhilarating tale following a dance troupe in their early teens trying to reach the national finals in Florida, under the guidance of a bullying dance teacher.
Subverting the modern teenage drama, Clare Barron examines the inner lives of the dancers to capture the joy and despair experienced during adolescence.
Richard III Redux [or] Sara Beer [is/not] Richard III by Kaite O'Reilly with Phillip B Zarrilli
A thought-provoking, one-woman play highlights the limited opportunities available to disabled actors.
Slave Play by Jeremy O. Harris
Slave Play explores themes of race, sex and power.
2018
Lions and Tigers by Tanika Gupta (winner)
Premiering 70 years after India gained independence, Lions and Tigers is based on the true story of Tanika Gupta's great-uncle Dinesh Gupta, a Bengali revolutionary who fought against British colonial rule in the early 1930s.
Letters written by her great-uncle from his prison cell provide the foundation of Tanika Gupta's ambitious and emotive drama, offering fresh insight into Indian independence and the battles between the so-called British lions and the Bengal tigers.
The Anatomy of a Suicide by Alice Birch
This experimental play explores the personal trauma of suicide, and questions whether it can run through a family's DNA.
Glory on Earth by Linda McLean
The play examines the relationship between the young Catholic Mary Stuart and the Protestant reformer John Knox - both of whom believe that they have the God-given right to power.
Locker Room Talk by Gary McNair
Locker Room Talk features four women repeating verbatim sexist remarks made by real men in anonymous interviews.
2017
Cyprus Avenue by David Ireland (winner)
Cyprus Avenue centres on Eric Miller, a Belfast Loyalist who is convinced his new born grandchild is Sinn Féin President Gerry Adams. At one point he puts glasses on the baby and draws a beard on her face with marker pen. The play reveals Eric agonising over his own sense of identity and masculinity.
Oil by Ella Hickson
Oil spans 150 years, and centres on a woman called May and her daughter. May travels through time - first as a 19th century farmer's wife with a newly invented kerosene lamp; then as a servant in 1908 Tehran; and, in 1970, as the CEO of an oil company.
Scenes From 68* Years by Hannah Khalil
A series of everyday snapshots from life in Palestine in Scenes from 68* Years, which spans from 1948 to the present day.
2016
Iphigenia in Splott by Gary Owen (winner)
Welsh playwright Gary Owen drew his inspiration from a Greek myth, in which King Agamemnon sacrifices his daughter, Iphigenia, to allow his ships to sail to Troy.
Iphigenia in Splott centres on Effie, a foul-mouthed, aggressive young woman living in Cardiff, who drinks excessively and lives for nights out. Throughout the monologue, she tells the story of her meeting an ex-soldier and how that led her life to unravel.
Effie's vulnerability is revealed as she becomes reliant on an under-resourced National Health Service. The tragedy climaxes with a rallying cry against austerity measures.
People, Places and Things by Duncan MacMillan
Duncan Macmillan's tragi-comedy tells the story of an actress whose life has spun recklessly out of control
hang by debbie tucker green
hang is set in a near future where victims of crime can decide their perpetrator's punishment
2015
Tomorrow Come Today by Gordon Dahlquist (winner)
A science fiction drama about people who swap bodies to cheat death. The play is set against the backdrop of an impending apocalypse and was first produced by Undermain Theatre, Texas.
The James Plays by Rona Munro
Rona Munro's trilogy chart the lives and deaths of King James I, II and III of Scotland, who ruled the country throughout the fifteenth century.
Incognito by Nick Payne
Incognito interweaves three stories, all focussing on neuroscience. First, the theft of Albert Einstein's brain in 1955, on to a pioneering brain operation in 1953, and finally the focus shifts to a modern-day clinical neuroscientist.
2014
Cannibals by Rory Mullarkey (winner)
A play dealing with the consequences of war and the nature of love. Set in a remote region of Eastern Europe. It centres on the story of Lizaveta, who is forced to leave her home when her husband is killed by a soldier fighting in an indeterminate war.
On the run, she meets a variety of characters and ultimately becomes a victim of human trafficking, taken to England as a paid-for bride.
Some Other Mother by A J Taudevin
Some Other Mother explores the emotional wounds caused by immigration.
Grounded by George Brant
Grounded looks at the ramifications of drone warfare.
2013
The Radicalisation of Bradley Manning by Tim Price (winner)
The Radicalisation of Bradley Manning by Tim Price was the first play to win the new drama category for Britain's oldest literary awards.
The play is based on the true story of Bradley Manning, the 24 year-old soldier accused of releasing classified military logs and embassy cables, now facing a court martial.
The story charts his radicalisation from his teenage years growing up in Wales to his current incarceration in America.
The Hundred Flowers Project by Christopher Chen
Foxfinder by Dawn King
In Water I'm Weightless by Kaite O'Reilly
The Effect by Lucy Prebble