Interference
Morna Pearson, Hannah Khalil, and Vlad Butucea
Can you ever really trust a machine?
It is the near future.
A couple are struggling to conceive, but fortunately their company has the perfect solution.
A woman waits in a VR metaverse to do homework with her young daughter.In a care home staffed by advanced AIs, a woman struggles to make a connection with her android carer.
Interference is a trilogy of near-future plays. Staged in an empty office block transformed with vivid projection and atmospheric soundscapes. It asks the question: will technology interfere with what we really need from each other? This edition was published to coincide with National Theatre of Scotland's 2019 production.
Morna Pearson, Hannah Khalil, and Vlad Butucea
Can you ever really trust a machine?
It is the near future.
A couple are struggling to conceive, but fortunately their company has the perfect solution.
A woman waits in a VR metaverse to do homework with her young daughter.In a care home staffed by advanced AIs, a woman struggles to make a connection with her android carer.
Interference is a trilogy of near-future plays. Staged in an empty office block transformed with vivid projection and atmospheric soundscapes. It asks the question: will technology interfere with what we really need from each other? This edition was published to coincide with National Theatre of Scotland's 2019 production.
Morna Pearson, Hannah Khalil, and Vlad Butucea
Can you ever really trust a machine?
It is the near future.
A couple are struggling to conceive, but fortunately their company has the perfect solution.
A woman waits in a VR metaverse to do homework with her young daughter.In a care home staffed by advanced AIs, a woman struggles to make a connection with her android carer.
Interference is a trilogy of near-future plays. Staged in an empty office block transformed with vivid projection and atmospheric soundscapes. It asks the question: will technology interfere with what we really need from each other? This edition was published to coincide with National Theatre of Scotland's 2019 production.
